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Nine Dragons Excerpt

ONE

From across the aisle Harry Bosch looked into his partner’s cubicle and watched him conduct his daily ritual of straightening the corners on his stacks of files, clearing the paperwork from the center of his desk and finally placing his rinsed out coffee cup in a desk drawer. Bosch checked his watch and saw it was only three-forty. It seemed that each day, Ignacio Ferras began the ritual a minute or two earlier than the day before. It was only Tuesday, the day after Labor Day weekend and the start of a short week, and already he was edging toward the early exit. This routine was always prompted by a phone call from home. There was a wife waiting there with a with a toddler and a brand new set of twins. She watched the clock like the owner of a candy store watches the fat kids. She needed the break and she needed her husband home to deliver it. Even across the aisle from his partner, and with the four foot sound walls separating workspaces in the new squad room, Bosch could usually hear both sides of the call. It always began with; “When are you coming home?”

Everything in final order at his workstation, Ferras looked over at Bosch.

“Harry, I’m going to take off,” he said. “Beat some of the traffic. I have a lot of calls out but they have my cell. No need waiting around for that.”

Ferras had rubbed his left shoulder as he spoke. This was also part of the routine. It was his unspoken way of reminding Bosch that he had taken a bullet a couple years before and had earned the early exit.

Bosch just nodded. The issue wasn’t really about whether his partner left the job early or what he had earned. It was about his commitment to the mission of homicide work and whether it would be there when they finally got the next call out. Ferras had gone through nine months of physical therapy and rehab before reporting back to the squad room. But in the year since, he had worked cases with a reluctance that was wearing Bosch thin. He wasn’t committed and Bosch was tired of waiting on him.

He was also tired of waiting for a fresh kill. It had been four weeks since they’d drawn a case and they were well into the late summer heat. As certain as the Santa Ana winds blowing down out of the mountain passes, Bosch knew a fresh kill was coming.

Ferras stood up and locked his desk. He was taking his jacket off the back of the chair when Bosch saw Larry Gandle step out of his office on the far side of the squad room and head toward them. As the senior man in the partnership, Bosch had been given the first choice of cubicles a month earlier when Robbery-Homicide Division moved over from the decrepit Parker Center to the new Police Administration Building. Most detective threes took the cubicles facing the windows that looked out on City Hall. Bosch had chosen the opposite. He had given his partner the view and took the cube that let him watch what was happening in the squad room. Now he saw the approaching lieutenant and he instinctively knew that his partner wasn’t going home early.

Gandle was holding a piece of paper torn from a notepad and had an extra hop in his step. That told Bosch the wait was over. The call out was here. The fresh kill. Bosch started to rise.

“Bosch and Ferras, you’re up,” Gandle said when he got to them. “Need you to take a case for South Bureau.”

Bosch saw his partner’s shoulders slump. He ignored it and reached out for the paper Gandle was holding. He looked at the address written on it. South Normandie. He’d been there before.

“It’s a liquor store,” Gandle said. “One man down behind the counter, patrol is holding a witness. That’s all I got. You two good to go?”

“We’re good,” Bosch said before his partner could complain.

But that didn’t work.

“Lieutenant, this is Homicide Special,” Ferras said, turning and pointing to the boar’s head mounted over the squad room door. “Why are we taking a rob job at a liquor store? You know it was a banger and the South guys could wrap it up – or at least put a name on the shooter – before midnight.”

Ferras had a point. Homicide Special was for the difficult and complex cases. It was an elite squad that went after the tough cases with the relentless skill of a boar rooting in the mud for a truffle. A liquor store holdup in gang territory hardly qualified.

Gandle, whose balding pate and dour expression made him a perfect administrator, spread his hands in a gesture offering a complete lack of sympathy.

“I told everybody in the staff meeting last week. We’ve got South’s back this week. They’ve got a skeleton crew on while everybody else is in homicide school until the fourteenth. They caught three cases over the weekend and one this morning. So there goes the skeleton crew. You guys are up and the rob job is yours. That’s it. Any other questions? Patrol is waiting down there with a witness.”

“We’re good, Boss,” Bosch said, ending the discussion.

“I’ll wait to hear from you then.”

Gandle headed back to his office. Bosch pulled his coat off the back of his chair, put it on and then opened the middle drawer of his desk. He took the leather notebook out of his back pocket and replaced the pad of lined paper in it with a new one. A fresh kill always got a fresh pad. That was his routine. He looked at the detective shield embossed on the notebook flap and then returned it to his back pocket. The truth was he didn’t care what kind of case it was. He just wanted a case. It was like anything else. You fall out of practice and you lose your edge. Bosch didn’t want that.
Ferras stood with his hands on his hips, looking up at the clock on the wall over the bulletin boards.

“Shit,” Ferras said. “Every time.”

“What do you mean, ‘every time’?” Bosch said. “We haven’t caught a case in a month.”

“Yeah, well, I was getting used to that.”

“Well, if you don’t want to work murders, there’s always a nine to five table like auto theft.”

“Yeah, right.”

“Then let’s go.”

Bosch stepped out of the cubicle into the aisle and headed toward the door. Ferras followed, pulling his phone out so he could call his wife and give her the bad news. On the way out of the squad room, both men reached up and patted the boar on its flat nose for good luck.

TWO

Bosch didn’t need to lecture Ferras on the way to South L.A. His driving in silence was his lecture. His young partner seemed to wither under the pressure of what was not said and finally opened up.

“This is driving me crazy,” he said.

“What is?” Bosch asked.

“The twins. There’s so much work, so much crying. It’s a domino effect. One wakes up and that starts the other one up. Neither of us is getting any sleep and my wife is . . .”

“What?”

“I don’t know, going crazy. Calling me all the time, asking when I’m coming home. So I come home and then it’s my turn and I get the boys and I get no break. It’s work, kids, work, kids, work, kids every day.”

“What about a nanny?”

“We can’t afford a nanny. Not with the way things are, and we don’t even get overtime anymore.”

Bosch didn’t know what to say. His daughter Madeline was a month past her thirteenth birthday and almost ten thousand miles away from him. He had never been directly involved in raising her. He saw her four weeks a year – two in Hong Kong and two in L.A. – and that was it. What advice could he legitimately give a full-time dad with three kids, including twins?

“Look, I don’t know what to tell you,” he said. “You know I’ve got your back. I’ll do what I can when I can. But – ”

“I know, Harry. I appreciate that. It’s just the first year with the twins, you know? ’Sposed to get a lot easier when they get a little older.”

“Yeah, but what I’m trying to say here is that maybe it’s more than just the twins. Maybe it’s you, Ignacio.”

“Me? What are you saying?”

“I’m saying maybe it’s you. Maybe you came back too soon, you ever think about that?”

Ferras did a slow burn and didn’t respond.

“Hey, it happens sometimes,” Bosch said. “You take a bullet and you start thinking that lightning might strike twice.”

“Look, Harry, I don’t know what kind of bullshit that is, but I’m fine that way. I’m good. This is about sleep deprivation and being fucking exhausted all the time and not being able to catch up because my wife is riding my ass from the moment I get home, okay?”

“Whatever you say, partner.”

“That’s right, partner. Whatever I say. Believe me, I get it enough from her. I don’t need it from you, too.”

Bosch nodded and that was enough said. He knew when to quit.

The address Gandle gave them was in the seventieth block of South Normandie Avenue. This was just a few blocks from the infamous corner of Florence and Normandie where some of the most horrible images of the 1992 riots had been captured by news helicopters and broadcast around the world. It seemed to be the lasting image of Los Angeles to many.

But Bosch quickly realized he knew the area and the liquor store that was their destination from a different riot and for a different reason.

Fortune Liquors was already cordoned off by yellow crime scene tape. A small number of onlookers were gathered but murder in this neighborhood was not that much of a curiosity. The people here had seen it before – many times. Bosch pulled their sedan into the middle of a grouping of three patrol cars and parked. After going to the trunk to retrieve his briefcase, he locked the car up and headed toward the tape.

Bosch and Ferras gave their names and serial numbers to a patrol officer with the crime scene attendance log and then ducked under the tape. As they approached the front door of the store, Bosch put his hand into his right jacket pocket and pulled out a book of matches. It was old and worn. The front cover said Fortune Liquors and it carried the address of the small yellow building before them. He thumbed the book open. There was only one match missing, and on the inside cover was the fortune that came with every matchbook:

Happy Is The Man Who
Finds Refuge In Himself

Bosch had carried the matchbook with him for almost twelve years. Not so much for the fortune, though he did believe in what it said. It was because of the missing match and what it reminded him of.

“Harry, what’s up?” Ferras asked.

Bosch realized he had paused in his approach to the store.

“Nothing, I’ve just been here before.”

“When? On a case?”

“Sort of. But it was a long time ago. Let’s go in.”

Bosch walked past his partner and entered the open front door of the liquor store.

The Brass Verdict Reading Guide

Print these questions and use them to lead a discussion about The Brass Verdict. SPOILER WARNING! This guide does address the entire book. Do not read it if you have not read the book.

“It’s called rope a dope.”
The Brass Verdict begins with a courtroom scene from 1992 with Mickey Haller for the defense, against Jerry Vincent, for the prosecution. Mickey refuses to compromise his ethics when Vincent asks him for a favor. Yet at the same time, Mickey is defending a man who is clearly guilty of murder. Mickey ends up winning the case and the murderer goes free. How do you reconcile Mickey’s personal ethics with the reality of being a defense attorney?

“Everybody lies.”
That’s the opening line of The Brass Verdict. Is Mickey cynical and bitter or a realist and insightful? Do you agree with Mickey’s statement that a trial is a contest of lies?

“There’s nothing you can do about the past, Patrick. Except keep it there.”
Mickey is making a comeback as a lawyer after a year spent in rehab and recovery. What did you think of his relationship with his driver, Patrick Henson, another recovering addict? Why do you think Mickey wanted to help him?

“I never met him before today but the name…I know the name.”
Mickey Haller met Harry Bosch for the first time in The Brass Verdict. Did you know about their family connection before you read the book? How are these two half-brothers alike? How are they different?

“I’ve been waiting five months to clear my name.”
When you first read about Walter Elliot’s case and his adamant claims of innocence, did you believe him? How about later, after he told Mickey about his mob connections? Did you believe that story?

“It was only at times like this with my daughter that the distance I had opened in my life came closed.”
Mickey’s relationship with his ex-wife, Maggie McPherson, is strained because of his past drug abuse. He was trying to earn back her trust and improve his relationship with his daughter. Do you think he was successful? Can you make any predictions for their future?

“I’m in.”
Mickey decided to work with Bosch to draw out the killer. Why do you think he was willing to do that when he didn’t seem to trust Bosch? Did his theory that everybody lies end up applying to Bosch too in the end?

“Do you know you look a lot like your father?”
We saw Harry Bosch through Mickey Haller’s eyes. What kind of impression did Bosch make on Mickey? Do you think they liked each other?

“I guess that makes us flip sides of the same mountain.”
In the end, Mickey said that he and Harry were flips side of the same mountain because they live on opposite sides of the Santa Monica Mountains, also known as the Hollywood Hills. You could say their father was a mountain of a man in terms of fame and character. Neither really knew their father. What kind of effect do you think that had on each of these men?

“You could say the brass verdict was my last verdict.”
Whether you approve of the job or not, did you admire Mickey’s skill as a defense attorney? Do you think he is really going to quit?

The Brass Verdict Audiobook

The Brass Verdict audiobook by Hachette Audio is read by narrator Peter Giles. It is available in CD and in downloadable formats.

Listen to an excerpt:

The Brass Verdict Videos

Part 1 — The Hit
In this 3:28 video clip, an associate of Mickey Haller’s gets a fatal phone call, which, in turn, draws Mickey out of retirement and into a web of intrigue. This video stars Corbin Bernsen and was produced and directed by Terrill Lee Lankford.

Part 2 — Night Drive
In this 1:25 video clip, Mickey Haller, the Lincoln Lawyer, cruises Los Angeles at night and ruminates about his job.

Part 3 — The Brass Verdict
Take a ride in Los Angeles with Michael Connelly in this 1:26 video clip. Michael introduces his book, The Brass Verdict, while driving in a Lincoln Town Car (of course!)

 

The Brass Verdict Q & A

Question: What’s this new book all about?
Michael Connelly: It’s got a lot of things going on in it. I kind of look at it as having two major “through lines,” or A tracks, and then several lesser-story strings running through it and binding it all together. The first main track is the murder of Jerry Vincent, which is the inciting action of the story. Vincent is a defense attorney. His murder brings Mickey Haller off the shelf, where he’s been on a bit of a sabbatical, you could say. Mickey is ordered by a judge to take over Vincent’s entire law practice. Mickey immediately runs into Harry Bosch, who is investigating Vincent’s murder. So the first A track centers on the question of who killed Jerry Vincent and why. The second A track centers on one of the cases Mickey inherits: the murder trial of Walter Elliot. It’s a big case with a lot of media attention — and it’s paying Mickey the biggest fee of his career. In many ways it’s a huge test case for Mickey as well. He’s a bit rusty, having not been in court for a year.

Question: And the so-called lesser tracks? Care to share any of these?
Michael Connelly: Well, the relationship between Haller and Bosch is a big one of these. They’re flip sides of the same coin, given that one works for the defense and the other for the prosecution. But they have to forge a sort of unholy alliance, a partnership of some sort, in order to figure out who killed Vincent and who is behind a threat to Haller. There are other strings as well. The book has a lot in it about recovery and redemption, about fatherhood, about the back doors of the justice system. This last thing is something I call the “stuff.” By this I mean the hard-to-put-your-finger-on stuff that makes the world of a book seem real. I have tried to fill this book with the anecdotes and shortcuts and maneuvers that bring a gritty, if not greasy, reality to the justice system in which Mickey operates. I think this is what made The Lincoln Lawyer work, and I hope it’s in this book as well.

Question: Haller and Bosch — your two biggest characters — together for the first time. Was that fun to write, or was the pressure too high?
Michael Connelly: The scenes with these two guys were the best part about writing this book. It was the reason. I wanted to bring them together, and since they come from different sides of the equation of justice, I knew there could be some interesting dialogue and interaction between them. I think both are highly skilled manipulators, and at different times in the book you have to wonder who is manipulating whom. That sort of stuff is always fun to write. But for the record, it isn’t the first time they’ve been together in one of my books. Technically speaking.

Question: What do you mean?
Michael Connelly: This book grew out of a single scene I wrote in a book a long, long time ago. The book was The Black Ice, which was published in 1993. In it Harry Bosch reminisces about the time he went to the funeral of the father he never knew. He was a young man just out of the army and back from Vietnam. He stands up on a hill and watches his father’s funeral from afar. He also sees that his father, the celebrated L.A. criminal defense attorney Mickey Haller, had children, and that means Harry has half siblings. Well, one of those half siblings is Mickey Haller Jr., who grew up to be the Lincoln lawyer.

Question: The circle gets closed a little bit. Was this all part of a long-range plan? Are you some sort of mad genius?
Michael Connelly: I wish I were, but I’m more like a desperate junk man. When I needed a story and didn’t have one, I went back to the previous books and dug out the idea of Harry Bosch having a brother he didn’t know. So it kind of started there.

Question: Whose story is this — Mickey’s or Harry’s?
Michael Connelly: To a great degree it is both their stories. But this narrative is not evenly split half Mickey and half Harry. It’s a Mickey Haller book. It’s in his voice. It’s a legal thriller, and Bosch, though he plays a key part, is sort of along for the ride.

Question: What’s the title mean?
Michael Connelly: That’s kind of a secret. You have to read the book to find out. It’s better that way. It is revealed and explained. The one hint I will give is to say that bullet’s are most often jacketed in brass.

Question: Hmmm, I think I have it. Does it mean —?
Michael Connelly: Not here! I said you have to read the book.

The Brass Verdict Reviews

“Bestseller Connelly delivers one of his most intricate plots to date in his 20th book, a beautifully executed crime thriller. …Bosch might have met his match in the wily Haller, and readers will delight in their sparring.”
— Publishers Weekly, * Starred Review

“Connelly plays the dueling characters off against one another effectively, especially for those familiar with the previous books, but it isn’t all about backstory. Like Lincoln Lawyer, this is a fine legal thriller, full of both electric courtroom scenes and fascinating behind-the-scenes stuff about the business of lawyering. Connelly is justly celebrated for his characters and his ability to create mood from the sights and sounds of L.A., but he’s also a terrific plotter, and that skill is in high relief here. Essential for fans; a great read for anybody.”
— Bill Ott, Booklist, * Starred Review

“The answer to every Connelly fan’s dream: Hieronymus Bosch meets the Lincoln Lawyer. …Connelly brings his two sleuths together in a way that honors them both.”
— Kirkus Reviews, * Starred Review

“Connelly is firing on all cylinders in this epic page-turner. The intriguing story line, the chance to view Bosch from another perspective, and Haller’s reappearance as a main character add up to a fantastic read. One of the best thrillers of the year and a mandatory purchase for all public libraries.”
— Jeff Ayers, Library Journal

“…I tore into Michael Connelly’s The Brass Verdict, which is everything you’d expect in a Connelly novel — twisty, fast and assured. I would also have to nominate the title, The Brass Verdict, as being the greatest Chandlerian title to come along in years. It refers to street justice, something this book contains in spades.”
— JB Dickey, Seattle Mystery Bookshop

“Do not begin The Brass Verdict if you have pressing commitments or responsibilities. They could be seriously neglected. The 20th mystery by Michael Connelly is not a mystery novel. With an intricate plot and more than a few surprises, it is a drama in the purest sense of the word.”
— J. Curran, TheMysterySite.com

“Connelly fans will love having two of his best characters in a single book.”
— Armchair Interviews

“Clever plotting, numerous twists, satisfying yet surprising endings and crystal-clear writing. If you are already a fan, [Connelly’s] twentieth book will satisfy like a case of your favorite treat. If you’ve lived in a cave and have never tried a Connelly novel, dive in—you’ll love it.”
— Deadly Pleasures Mystery Magazine

“…superb novel.”
— Otto Penzler, The New York Sun

“When it comes to series mysteries, there’s everybody else and then there’s Michael Connelly. Is he really that good, you ask? Oh yeah, he’s really that good. …So as not to give away too much of the plot, let’s just say this: The Brass Verdict is a certified page-turner that will suck you in from page one, and not let you go until the final sentence.”
— Bruce Tierney, Book Page

“Although they present themselves as opposite numbers — Mickey’s a romantic, soulful sleazebag, Bosch a dour and abrasive loner — they’re brothers in more than just name. Each uses the tools of his trade, however unconventionally, to find the truth in Connelly’s Los Angeles, where everybody does, indeed, lie.”
— Entertainment Weekly

“A solid, suspenseful plot full of twists and surprises is de rigueur for a  Michael Connelly novel, and he certainly brings plenty of that in his 19th novel.  …The Brass Verdict is gold.”
— Oline H. Cogdill, South Florida Sun-Sentinel

“a terrific ride.”
— Jonathan Yardley, Washington Post

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