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The Crossing Excerpt

They ate at Traxx in Union Station. It was a nice place that was courthouse close and favored at lunchtime by judges and lawyers. The waiter knew Haller and she didn’t bother giving him a menu. He simply ordered the usual. Bosch took a quick look and ordered a hamburger and French fries, which seemed to disappoint Haller.

On the walk over they had talked about family matters. Bosch and Haller were half brothers and had daughters the same age. In fact, the girls were planning to room together in September at Chapman University down in Orange County. Both had applied to the school without knowing the other’s intention until they celebrated their acceptance letters on the same day on Facebook. From there their plan to be roommates quickly formed. The fathers were happy about this because they knew they would be able to pool their efforts to monitor the girls’ well-being and adjustment to college life.

Now as they sat at the table with a window that looked out on the train station’s cavernous waiting room, it was time to get down to business. Bosch was expecting an update on the case Haller was handling for him. The previous year Bosch had been suspended from the LAPD on a trumped-up beef when he had picked the lock on a captain’s office door so he could look at old police records connected to a murder investigation he was actively working. It was a Sunday and Bosch didn’t want to have to wait for the captain to come in the next day. The infraction was minor but could have been the first step in the firing process. It forced Bosch to retire early so he could protect his pension and the payout from the Deferred Retirement Option Plan in which he had been enrolled. He then hired Haller to file a lawsuit against the city, charging that the police department was engaged in unlawful tactics to force veteran officers and detectives out. They were arguing that the cops were looking to put the reins on the DROP program, which threatened to bankrupt the city pension fund.

Because Haller had requested a meeting in person, Bosch expected that the news would not be good. Previously Haller had given him updates on the case by phone. Bosch knew something was up.

He decided to put off the news by going back to the hearing that had just ended.

“So I guess you’re pretty proud of yourself, getting that drug dealer off,” he said.

“You know as well as I do that he’s not going anywhere,” Haller responded. “The judge had no choice. Now the DA will deal it down and my guy will still do some time.”

Bosch nodded.

“But the cash in the trunk,” he said. “I bet that goes back to him. What’s your piece on that? If you don’t mind my asking.”

“Fifty K, plus I get the car,” Haller said. “He won’t need it in jail. I got a guy handles that stuff. A liquidator. I’ll get another couple grand out of the car.”

“Not bad.”

“Not bad if I can get it. Need to pay the bills. Hennegan hired me because he knew my name from a bus bench right there at Florence and Normandie. He saw it from the backseat of the cruiser they put him in and he memorized the phone number. I’ve got sixty of those benches around town and that costs money. Gotta keep gas in the tank, Harry.”

Bosch had insisted on paying Haller for his work on the lawsuit, but it wasn’t anything as stratospheric as the potential Hennegan payday. Haller had even been able to keep costs down on the lawsuit by having an associate handle most of the non-courtroom work. He called it his law enforcement discount.

“Speaking of cash, you see how much Chapman is going to cost us?” Haller asked.

Bosch nodded.

“It’s steep,” he said. “I made less than that the first ten years I was a cop. But Maddie’s got a couple scholarships. How’d Hayley do on those?”

“She did all right. It certainly helps.”

Bosch nodded and it seemed as though they had covered everything but the thing the meeting was about.

“So, I guess you can give me the bad news now,” he said. “Before the food gets here.”

“What bad news?” Haller asked.

“I don’t know. But this is the first time you called me in for an update on things. I figure it’s not looking good.”

Haller shook his head.

“Oh, I’m not going to even talk about the LAPD thing. That case is chugging along and we still have them in the corner. I wanted to talk about something else. I want to hire you, Harry.”

“Hire me. What do you mean?”

“You know I have the Lexi Parks case, right? I’m defending Da’Quan Foster?”

Bosch was thrown by the unexpected turn in the conversation.

“Uh, yeah, you’ve got Foster. What’s it have to do—”

“Well, Harry, I’ve got the trial coming up in six weeks and I don’t have jack shit for a defense. He didn’t do it, man, and he is in the process of being totally fucked by our wonderful legal system. He’s going to go down for her murder if I don’t do something. I want to hire you to work it for me.”

Haller leaned across the table with urgency. Bosch involuntarily leaned back from him. He still felt as though he were the only guy in the restaurant who didn’t know what was going on. Since his retirement he had pretty much dropped out of having day-to-day knowledge of things going on in the city. The names Lexi Parks and Da’Quan Foster were on the periphery of his awareness. He knew it was a case and he knew it was big. But for the past six months he had tried to stay away from newspaper stories and TV reports that might remind him of the mission he had carried for nearly thirty years—catching killers. He had gone so far as to start a long-planned-but-never-realized restoration project on an old Harley-Davidson motorcycle that had been gathering dust and rust in his carport shed for almost twenty years.

“But you’ve already got an investigator,” he said. “That big guy with the big arms. The ex-biker.”

“Yeah, Cisco, except Cisco’s on the DL and he’s not up to handling a case like this,” Haller said. “I catch a murder case maybe once every other year. I only took this one because Foster’s a longtime client. I need you on this, Harry.”

“The DL? What happened to him?”

Haller shook his head like he was in pain.

“The guy rides a Harley out there every day, lane-splitting whenever he wants, wearing one of those half helmets that is total bullshit when it comes to protecting your neck. I told him it was only a matter of time. I asked him for dibs on his liver. There is a reason they call them donorcycles. And it doesn’t matter how good a rider you are, it’s always the other guy.”

“So what happened?”

“He was cruising down Ventura one night a while back and some yahoo comes up, sideswipes him, and pushes him into head-on traffic. He dodges one car and then has to lay the bike down—it’s an old one, no front brakes—and he skids through an entire intersection on his hip. Luckily he was wearing leathers, so the road rash wasn’t too hideous, but he fucked up his ACL. He’s down for the count right now and they’re talking about a total knee replacement. But it doesn’t matter. My point is, Cisco’s a great defense investigator and he already took a swing at this. What I need is an experienced homicide detective. Harry, I’m not going to be able to live with it if my guy goes down for this. Innocent clients leave scars, if you know what I mean.”

Bosch stared at him blankly for a long moment.

“I’ve already got a project,” he finally said.

“What do you mean, a case?” Haller asked.

“No, a motorcycle. A restoration. A ’fifty-one Harley like the one Lee Marvin rode in The Wild Ones. I inherited it from a guy I knew in the service way back. Twenty years ago he wrote it into his will that I get the bike and then he jumped off a cliff up in Oregon. I’ve had the bike in storage since I got it.”

Haller waved a hand dismissively.

“So it’s waited all that time. It can wait longer. I’m talking about an innocent man and I don’t know what I can do. I’m desperate. Nobody’s listening and—”

“It’ll undo everything.”

“What?”

“I work a case for you—not just you, any defense lawyer—and it’ll undo everything I did with the badge.”

Haller looked incredulous.

“Come on. It’s a case. It’s not—”

“Everything. You know what they call a guy who switches sides in homicide? They call him a Jane Fonda, as in hanging with the North Vietnamese. You get it? It’s crossing to the dark side.”

Haller looked off through the window into the waiting room. It was crowded with people coming down from the Metro Line tracks on the roof.

Before Haller said anything the waiter brought their food. He stared across the table at Bosch the whole time the woman was placing the plates down and refilling their glasses with iced tea. When she was gone, Bosch spoke first.

“Look, it’s nothing personal—if I did it for anybody, it would probably be you.”

It was true. They were the sons of a fabled L.A. defense attorney but had grown up miles and generations apart. They had only come to know each other in recent years. Despite the fact that Haller was across the aisle from Bosch, so to speak, Harry liked and respected him.

“I’m sorry, man,” he continued. “That’s how it is. It’s not like I haven’t thought about this. But there’s a line I can’t bring myself to cross. And you’re not the first one to ask.”

Haller nodded.

“I get that. But what I am offering is something different. I got this guy I’m convinced was somehow set up for murder and there’s DNA I can’t shake and he’s going to go down for it unless I get someone like you to help me—”

“Come on, Haller, don’t embarrass yourself. Every defense lawyer in every courthouse says the same thing every day of the week. Every client is innocent. Every client is getting railroaded, set up. I heard it for thirty years, every time I sat in a courtroom. But you know what? I don’t have a second thought about anybody I ever put in the penitentiary. And at some point or other every one of them said they didn’t do it.”

Haller didn’t respond and Bosch took the time to take his first bite of food. It was good but the conversation had soured the taste in his mouth. Haller started moving his salad around with his fork but he didn’t eat anything.

“Look, all I’m saying is look at the case, see for yourself. Go talk to him and you’ll be convinced.”

“I’m not going to talk to anybody.”

Bosch wiped his mouth with his napkin and put it down on the table next to his plate.

“You want to talk about something else here, Mick? Or should I just take this to go?”

Haller didn’t respond. He looked down at his own uneaten food. Bosch could see the fear in his eyes. Fear of failure, fear of having to live with something bad.

Haller put his fork down.

“I’ll make a deal with you,” he said. “You work the case and if you find evidence against my guy, you take it to the D.A. Anything you find, no matter how it cuts, we share with the D.A. Wide-open discovery—anything that doesn’t fall directly under attorney-client privilege.”

“Yeah, what will your client say about that?”

“He’ll sign off on it because he’s innocent.”

“Right.”

“Look, just think about it. Then let me know.”

Bosch pushed his plate away. He’d taken only one bite but lunch was over. He started wiping his hands on the cloth napkin.

“I don’t have to think about it,” he said. “And I can let you know right now. I can’t help you.”

Bosch stood up and dropped the napkin on his food. He reached into his pocket, peeled off enough cash to pay for both sides of the check, and put the money down under the saltshaker. All this time Haller just stared out into the waiting room.

“That’s it,” Bosch said. “I’m going to go.”

_

Bosch knew that the task in front of him would be the most vital part of the restoration. He had dismantled the motorcycle’s carburetor, cleaned all the parts, and laid them out on a spread of old newspapers on the dining room table. He had bought a rebuild kit at Glendale Harley and now it was time to put the carburetor back together. It was the beating heart of the bike. If he misseated a gasket, left the pilot jet dirty, or mishandled any of a dozen things during the reassembly, then the whole restoration would be for naught.

Phillips head screwdriver in hand, he studied the pages in the Clymer manual one more time before starting the assembly by reversing the steps he had followed when he took the carburetor apart a few days before. The John Handy Quintet was on the stereo and the song was “Naima,” Handy’s 1967 ode to John Coltrane. Bosch thought it was up there with the best live saxophone performances ever captured.

With Bosch following Clymer’s step-by-step, the carburetor quickly began to take shape. When he reached for the pilot jet, he noticed that it had been lying on top of a newspaper photo of the state’s former governor, cigar clenched in his teeth, a broad smile on his face as he threw his arm around another man, whom Bosch identified as a former state assemblyman from East L.A.

Bosch realized that the edition of the Times that he had spread out was an old one that he had wanted to keep. It had contained a classic report on politics. A few years earlier, in his last hour in office, the governor had used his authority under executive clemency to reduce the sentence of a man convicted of murder. He happened to be the son of his pal the assemblyman. The son had been involved with others in a fight and fatal stabbing, had made a deal with prosecutors and pleaded guilty, but then was unhappy when the judge handed him a prison sentence of fifteen to thirty years. On his way out the door at the end of his term of office, the governor knocked it down to six years.

If the governor thought nobody would notice his last official act in office, then he was wrong. The shit hit the fan with charges of cronyism, favoritism, politics of the worst kind. The Times cranked up an extensive two-part report on the whole sordid chapter. It sickened Bosch to read it but not so that he recycled the paper. He kept it to read again and again to be reminded of the politics of the justice system. Before running for office the governor had been a movie star specializing in playing larger-than-life heroes—men willing to sacrifice everything to do the right thing. He was now back in Hollywood, trying to be a movie star once again. But Bosch was resolved that he would never watch another one of his films—even on free TV.

Thoughts of injustice prompted by the newspaper article made Bosch wander from the carburetor project. He got up from the table and wiped his hands on the shop cloth he kept with his tools. He then threw it down, remembering that he used to spread murder books out on this table, not motorcycle parts. He opened the sliding glass door in the living room and walked out onto the deck to look at the city. His house was cantilevered on the west side of the Cahuenga Pass, offering him a view across the 101 freeway to Hollywood Heights and Universal City.

It was the end of the workday and already dark. The 101 freeway was a ribbon of white and red lights, choked with traffic moving both ways through the pass. Since his retirement Bosch had reveled in not being a part of it anymore. The traffic, the workday, the tension, and responsibility of it all.

But he also thought of it as a false sense of revelry. He knew that, no matter how stressful it was being down there in that slow-moving river of steel and light, he belonged there. That in some way he was needed down there.

Mickey Haller had appealed to him at lunch on the grounds that his client was an innocent man. That of course would have to be proved. But Haller had missed the other half of that equation. If his client was truly innocent, then there was a killer out there whom no one was even looking for. A killer devious enough to set up an innocent man. Despite his protestations at the restaurant, that fact bothered Bosch. It was something he had trouble leaving alone.

He pulled his phone out of his pocket and hit a number on the favorites list. The call was answered after five rings by the urgent voice of Virginia Skinner.

“Harry, I’m on deadline, what is it?”

Bosch had forgotten about her deadline schedule. She wrote a city politics column that ran on Tuesdays.

“Sorry. I’ll call you after.”

“No, I’ll call you.”

“Okay.”

He disconnected the call and went back inside the house to grab a beer out of the refrigerator and to check its stores. He determined that he had nothing he could tempt Virginia with to come up the mountain. Besides, Bosch’s daughter would be coming home from her Police Explorer’s shift at about ten and it could get awkward with Virginia in the house. She and Maddie were still in the early stages of getting to know each other’s boundaries.

Bosch decided that when Skinner called back, he would offer to meet her somewhere for dinner instead.

He had just opened a bottle and switched the CD to a Ron Carter import recorded at the Blue Note Tokyo when his phone buzzed.

“Hey, that was fast.”

“I just turned in my column. Richie Bed-wetter will call me in ten or fifteen minutes to go over the edit. Is that enough time to talk?”

Richie Bed-wetter was her editor, Richard Ledbetter. She called him that because he was inexperienced and young—more than twenty years her junior—but insisted on trying to tell her how to handle her beat and write her column, which he wanted to call a blog. Things would be coming to a head between them soon, and Bosch was worried that Virginia was the vulnerable one, since her experience translated into a higher paycheck and therefore a more appealing target to management.

“Yeah, sure, I just wanted to see if you were up for dinner. If I head out now I’d get down there just about the time you clear.”

“Where do you want to go? Somewhere downtown?”

“Or near your place. Your call. But not Indian.”

“Of course, no Indian. Let me think on it and I’ll have a plan when you’re close. Call me before you reach Echo Park. In case.”

“Okay. But listen, can you do me a favor and pull up some stories on a case?”

“Sure, what case?”

“There’s a guy that got arrested for murder. LAPD case, I think. His name is Da’Quan Foster. I want to see—”

“Yeah, DQ Foster. The guy who killed Lexi Parks.”

“Right.”

“Harry, that’s a big case.”

“How big?”

“You don’t need me to pull stories. Just go on the paper’s website and punch in her name. There are a lot of stories about her because of who she was and because he didn’t get arrested until like a month after it happened. And it’s not an LAPD case. It’s Sheriff’s. Happened in West Hollywood. Look, I gotta go. Just got the signal from Richie.”

“Okay, I’ll—”

She was gone. Bosch put the phone in his pocket and went back to the dining room table. Holding the corners of the newspaper, he pulled the carburetor project to the side. He then took his laptop down off a shelf and turned it on. While he waited for it to boot, he looked at the carburetor sitting on the newspaper. He realized he had been wrong to think it could be the heart of anything.

On the stereo Ron Carter was accompanied by two guitars and playing a Milt Jackson song called “Bags’ Groove.” It got Bosch thinking about his own groove and what he was missing.

When the computer was ready he pulled up the Times website and searched the name Lexi Parks. There were 333 stories in which Lexi Parks was mentioned going back six years, long before her murder. Bosch narrowed it to the current year and found twenty-six stories listed by date and headline. The first was dated February 9, 2015: Well-Liked WeHo Asst. Manager Found Murdered in Bed.

Bosch scanned the entries until he came to a headline dated March 19, 2015: Gang “Shot Caller” Arrested in Parks Murder.

Bosch went back and clicked on the first story, figuring he could at least read the first story on the murder and the first on the arrest before heading to his car for the drive downtown.

The initial report on the murder of Lexi Parks was more about the victim than the crime because the Sheriff’s Department was revealing few details about the actual murder. In fact, all the details contained in the report could be summarized in one sentence: Parks had been beaten to death in her bed and was found by her husband when he returned home from working the midnight shift as a sheriff’s deputy in Malibu.

Bosch cursed out loud when he read the part about the victim’s husband being a deputy. That would make Bosch’s possible involvement in the case for the defense an even greater offense to those in law enforcement. Haller had conveniently left that detail out when he urged Bosch to look into the case.

Still, he continued to read, and learned that Lexi Parks was one of four assistant city managers for West Hollywood. Among her responsibilities were the departments of Public Safety, Consumer Protection, and Media Relations. It was her position as the chief spokesperson for the city and the front-line media interface that accounted for the “well-liked” description in the headline. She was thirty-eight years old at the time of her death and had worked for the city for twelve years, starting as a code inspector and rising steadily through promotions.

Parks had met her husband, Deputy Vincent Harrick, while both were on the job. West Hollywood contracted with the Sheriff’s Department to provide law enforcement services and Harrick was assigned to the station on San Vicente Boulevard. Once Parks and Harrick got engaged, Harrick asked for a transfer out of the West Hollywood station to avoid the appearance of conflict of interest with both of them working for the city. He worked at first in the south county out of the Lynwood station and then transferred out to Malibu.

Bosch decided to read the next story in the digital queue in hopes of getting more detail about the case. The headline promised he would: Investigators: Lexi Parks Murder a Sex Crime. The story, published one day after the first, reported that sheriff’s homicide investigators were looking at the murder as a home invasion in which Parks was attacked in her bed as she slept, sexually assaulted, and then brutally beaten with a blunt object. The story did not say what the object was or whether it was recovered. It made no mention of any evidence that had been collected at the scene. After these scant few details of the investigation were revealed, the story transitioned into a report on the reaction to the crime among those who knew Parks and her husband, as well as the horror the crime had invoked in the community. It was reported that Vincent Harrick had taken a leave of absence to deal with the grief arising from his wife’s murder.

After reading the second story, Bosch looked back at the list of stories and scanned the headlines. The next dozen or so didn’t sound promising. The case remained in the news on a daily and then weekly basis but the headlines carried a lot of negatives. No Suspects in Parks Murder, Investigators Drawing Blanks on Parks, WeHo Offers 100K Reward in Parks Case. Bosch knew that going out with a reward was in effect announcing that you had nothing and were grasping at straws.

And then they got lucky. The fifteenth story in the queue, published forty days after the murder, announced the arrest of forty-one-year-old Da’Quan Foster for the murder of Lexi Parks. Bosch opened the story and learned that the connection to Foster seemingly came out of the blue, a match made on DNA evidence collected at the scene of the crime. Foster was arrested with the help of a team of LAPD officers at the Leimert Park artists’ studio, where he was teaching a painting class as part of an after-school program for children.

That last piece of information gave Bosch pause. It didn’t fit with his idea of what a gang shot caller was all about. He wondered if Foster was booking community-service hours as part of a criminal sentence. He kept reading. The story said that DNA collected at the Parks crime scene had been entered into the state’s data bank and was matched to a sample taken from Foster following his arrest in 1996 on suspicion of rape. No charge was ever filed against him in that case but his DNA remained on file in the state Department of Justice data bank.

Bosch wanted to read more of the stories in the coverage but was running out of time if he wanted to meet Virginia Skinner. He saw one headline that came a few days after Foster’s arrest: Parks Suspect Had Turned Life Around. He opened the story and quickly scanned it. It was a community-generated story that held that Da’Quan Foster was a reformed Rollin’ 40s Crips member who had straightened his life out and was giving back to his community. He was a self-taught painter who had work hanging in a Washington, DC, museum. He ran a studio on Degnan Boulevard where he offered after-school and weekend programs for area children. He was married and had two young children of his own.

The story included statements from many locals who expressed either disbelief at the charges or outright suspicion that Foster had somehow been set up. No one quoted in the article believed he had killed Lexi Parks or been anywhere near West Hollywood on the night in question. In an attempt to balance the article, the reporter went to the sheriff’s investigators who chose to provide little more information than had been put out with the announcement of the arrest.

From what he had read, it was unclear to Bosch whether Foster even knew the victim in the case or why he had targeted her.

Harry closed the laptop. He would read all of the stories later, but he didn’t want to leave Virginia Skinner waiting for him—wherever it was she would choose to meet. He got up from the table and went back to his bedroom to put on a fresh shirt and nicer shoes. Ten minutes later he was driving down the hill to the freeway. Once he joined the steel river and cleared the pass he pulled out his phone and hooked up the earpiece so he’d be legal. When he carried a badge, he used to not care about such minor things, but now he could be ticketed for talking on a cell while driving.

From the background sound, he guessed he had caught Haller in the backseat of the Lincoln. They were both on the road, going somewhere.

“I’ve got questions about Foster,” Bosch said.

“Shoot,” Haller said.

“What was the DNA—blood, saliva, semen?”

“Semen. A deposit on the victim.”

On or in?”

“Both. In the vagina. On the skin, upper thigh on the right.”

Bosch drove in silence for a few moments. The freeway was elevated as it cut through Hollywood. He was passing by the Capitol Records Building. It was built to look like a stack of records but that was a different time. Not many people listened to records anymore.

“What else?” Haller asked. “I’m glad you’re thinking about the case.”

“How long have you known this guy?” Bosch asked.

“Almost twenty years. He was my client. He was no angel but there was something soft about him. He wasn’t a killer. He was too smart for that. Anyway, he turned things around and got out. That’s why I know.”

“Know what?”

“That he didn’t do this.”

“I read some of the stories online. Where are you in discovery? Did you get the murder book yet?”

“I got it. But if you are getting interested in this I think you need to talk to my client. You read the book, and you’re going to get the other side’s case. You’re not going to—”

“I don’t care. It’s all about the book. It begins and ends with the book. When can I get a copy?”

“I can get it put together by tomorrow.”

“Good. Call me and I’ll come get it.”

“So then you’re in?”

“Just call me when you have the book ready.”

Bosch clicked off the call. He thought about the conversation and what he was feeling after reading the newspaper stories. He had made no commitment yet. He had crossed no line. But he couldn’t deny that he was getting close to the line. He also could not deny the growing feeling that he was about to get back on the mission.

_

The Burning Room Videos

Watch the book trailer for The Burning Room.

Michael introduces his book and Harry’s new partner, Lucy Soto.

The Burning Room Q & A

5 Questions For Michael Connelly About The Burning Room

Question: The Burning Room is your 19th Harry Bosch novel (and your 27th novel overall.) What is it about Harry Bosch that keeps drawing you back to write about him again?
Michael Connelly: It’s hard to put my finger on it. To me it’s just unfinished business. Somebody said that the storyteller’s job is to create the question What Happens Next? It seems that every time I finish a Bosch book I am left with that question. So it means there has to be another book.

Question: In this novel, Harry is in the last year of his contract with the LAPD. Your readers always want to know what your plans are for him. Can you share anything?
Michael: It seems that every few books the series turns in a new direction. Without giving things away, this is one of those books. Things happen, doors open and I hope to see Harry go through them in the future.

Question: Lucy Soto, Harry’s new partner, is a fascinating character introduced in The Burning Room. What was the inspiration for her character?
Michael: I just felt it was time to write about a young person becoming a homicide detective and that experience. I never did that with Harry. The series started with him already a veteran. With Lucy I can show her learning and being mentored by Harry.

Question: You are currently working on the Bosch TV series. Has watching Harry come to life on screen changed anything for you when you write about him now?
Michael: Not a whole lot. I keep the two separated pretty easily because Harry is different in both. There’s a big difference in age and that somehow keeps them compartmentalized for me.

Question: You’ve always said that bad guys don’t interest you as much as cops do. Can you elaborate on that?
Michael: Just as a writer, I am fascinated with the cop’s bargain. That is that people take this job on knowing that it is very difficult to do right and fairly and objectively. And the hardest trick of all is surviving it without your insides wilting, let alone dealing with the outside pressures and dangers. To me that’s a noble cause and I’d much rather examine that than examine why some evil person has acted out against the rules of society.

The Burning Room Reviews

““The Burning Room” is the best Bosch book in years”
– New York Times

“Connelly’s exceptional gift for crafting an intricate and fascinating procedural hasn’t faded a bit. Our protagonist remains, after 19 books, one of the most intriguing creations in crime fiction, even as he faces his impending retirement. A humdinger of an ending will have readers anxiously awaiting the next book.”
– Library Journal Starred Review

“Bosch is very much of the old school in this high-tech world, but his hands-on tenacity serves him and the case well—just as Connelly serves his readers well with his encyclopedic knowledge and gifts as a storyteller.”
– Publishers Weekly Starred Review

“By putting the emphasis on the training of a young detective, Connelly shows us a side of Bosch we tend to de-emphasize, stressing instead his maverick attitude and his battles against inner demons. Harry is also a damn good detective, eschewing databases and cell phones to do his investigating by following the old school motto of “Get off your ass, and go knock on doors.” Sadly, door-knocking doesn’t always win in the face of high jingo, or even garden-variety bureaucrats, and if the Bosch series teaches us anything, it’s that hard work is often its own—and only—reward. That’s the real lesson Bosch must teach Lucia, and he does it in grand style.”
– Booklist Starred Review

“With The Burning Room, Michael Connelly delivers another police procedural that makes us hope that Harry Bosch will never retire.”
– Barnes & Noble Editorial Review

“Connelly maintains a rapid pace, steadily increasing the tension even after the solution becomes obvious.  Following Bosch’s trail is like watching Lew Archer in the glory days of Ross Macdonald, except Connelly’s focus is social, political and ultimately professional rather than psychological.”
– Kirkus Reviews

“As ever in Michael Connelly’s work, Los Angeles — a city in which “no matter how close something looked, it was still far away” — is a character in its own right. And the jazz soundtrack — “plaintive and sad but … with an undeniable wave of underlying hope” — makes The Burning Room a superb swansong.”
– London Evening Standard

“LAPD detective Harry Bosch has seen enough of politics interfering with his investigations through the years. Now, as he supposedly enters the last year of his career, Harry is even more tired of this intrusion that erupts constantly in “The Burning Room,” the excellent 19th novel in Michael Connelly’s superb series. “The Burning Room” excels as a look at how power, prestige and the media can override the best intentions. Connelly also weaves in a bit of the immigrant experience that continues to shape Los Angeles.”
– South Florida Sun Sentinel (Best Mystery Novels of 2014)

“If King of the Police Procedural were an actual position, Michael Connelly would be crowned tomorrow. His books starring LAPD detective Harry Bosch are impossible to beat for smart plotting, crisp dialogue, and realistic “shoe leather” investigative work. To solve the case, his hero is just as likely to pull a file from archives as pull a Glock, the sort of realism Connelly’s millions of fans appreciate. And in his new book The Burning Room, Connelly shows us once again what makes him king.”
– Barnes & Noble Holiday Gift Guide

“How do you investigate a murder when it has taken the victim 10 years to die? That’s just one of the knotty problems facing Los Angeles Police Department Detective Harry Bosch in The Burning Room, the compelling 19th novel in an internationally bestselling series….The Burning Room is a terrifically satisfying trip.”
– Tampa Bay Tribune

“The writing is simple and effective, and the story is interesting and original — impressive for the 19th in any series. Bosch may be up for retirement soon, but I doubt anyone would complain if he did his thing for another 20 years.”
– Los Angeles Times 

“Michael Connelly has yet another winner in his long-running Bosch series with “The Burning Room”
– St. Louis Dispatch

“Bosch shows himself once again to be the master and if he follows through on the retirement, his absence would leave an irreplaceable gap in crime fiction.”
– Toronto Star

“As always, Connelly builds the tension at a page-turning pace to a rewarding climax.”
– The Florida Times Union

“This, the 19th Harry Bosch mystery, is cleverly plotted, suspenseful and entertaining, with a scorpion sting in the tail that leaves the reader dumbfounded.”
– Irish Independent

“Connelly has invented one of the genre’s greatest contemporary detectives. The author writes smart procedurals for breakfast. He writes astute plot in which the tension and suspense increase right up to the end that you don’t see coming. If you’re a Harry Bosch fan, The Burning Room will feel like you’re slipping on a pair of old, comfortable shoes…literally. You know Harry already. You know what to expect from the storyteller Michael Connelly. Both of them deliver superbly. And when Harry Bosch does eventually retire, and it could be any novel now, it’ll be a sad day for procedural mystery readers. Harry just knows so darn much…”
– USA Today

“A fine balancing act between thought and action on Bosch’s part, “The Burning Room” offers a nuanced, nicely-honed performance from Connelly as well.”
– Boston Globe

“This is the latest Harry Bosch novel, and it is another excellent addition to the series and frankly, I’m running out of superlatives to describe Connelly’s work. …Michael Connelly is the undisputed king of the police procedural, and The Burning Room is a superlative example.”
– BookBitch

“As if engineered by a Swiss watch craftsman, Connelly’s plots are precision built, every cog turning silkily, doing its job without fuss, driving the story onward. …Explosive surprises await Bosch and Soto in this totally absorbing thriller.”
– Peterborough Telegraph (UK)

“Connelly is one of the best crime writers in the business, and he continues to tell compelling character-driven tales. The authentic police work and slow burn of the narrative turns this potentially ordinary crime story into something much more. Connelly has the magic touch, and “The Burning Room” is sure to be another bestseller that fans and newcomers alike will enjoy.”
– Associated Press

” typically excellent”
– Wall Street Journal

“Bosch, teamed here with impressive new recruit Lucy Soto, goes about his work with the same quality of unobtrusive directness that Connelly brings to his prose, the deceptively understated approach disguising a pacy, powerful investigation that yields results when least expected.”
– Irish Times

“a doozy of a tale.”
– Washington Post

“If you’re looking for a cerebral, carefully plotted police procedural with well-developed characters and a complex plot, you’re in for a real treat.”
– Lansing State Journal

The Burning Room Audiobook

The Burning Room audiobook by Hachette Audio is read by Titus Welliver. It is available in CD and in downloadable formats.

“As the new voice of Harry Bosch in this nineteenth volume of the series, Titus Welliver brings some formidable skills to the narration. His deep, resonant voice fits the atmosphere and the vocalization of Bosch, and his pacing makes the story accessible even for new listeners. …This police procedural, as delivered by Welliver, will pull listeners deeply into the two cases.”  – AudioFile review

Listen to an excerpt from The Burning Room audiobook:

The Burning Room Excerpt

The Burning Room 

One

It seemed to Bosch to be a form of torture heaped upon torture. Corazon was hunched over the steel table, her bloody and gloved hands deep inside the gutted torso, working with forceps and a long bladed instrument she called the butter knife. Corazon was not tall and she stood on her tiptoes to be able to reach down and in with her tools. She braced her hip against the side of the autopsy table to gain leverage.

What bothered Bosch about the grisly tableau was that the body had already been so violated for so long. Both legs gone, one arm taken at the shoulder, the surgical scars old but somehow raw and red. The man’s mouth was open in a silent scream. His eyes were directed upward as if beseeching his God for mercy. Deep down Bosch knew that the dead were the dead and they no longer suffered the cruelties of life, but even so, he felt like saying, Enough is enough. Asking, When does it stop? Shouldn’t death be the relief from the tortures of life?

But he didn’t say anything. He stood mute and just watched like he had hundreds of times before. More important than his outrage and the desire to speak out against the continuing atrocity inflicted on Orlando Merced was Bosch’s need for the bullet Corazon was trying to pry loose from the dead man’s spine.

Corazon dropped back on her heels to rest. She blew out her breath and temporarily fogged her spatter shield. She glanced at Bosch through the steamed plastic.

“Almost there,” she said. “And I’ll tell you what, they were right not to try to take it out back then. They would have had to saw entirely through T-twelve.”

Bosch just nodded, knowing she was referring to one of the vertebrae.

She turned to the table, where her instruments were spread out.

“I need something else…,” she said.

She put the butter knife in a stainless-steel sink, where a running faucet kept the water level to the overflow drain. She then moved her hand to the left of the sink and across the display of sterilized tools until she chose a long, slender pick. She went back to work with her hands in the hollow of the victim’s torso. All the organs and intestines had been removed, weighed, and bagged, leaving just the husk formed by the upturned ribs. She went up on her toes again and used her upper-body strength and the steel pick to finally pop the bullet loose from the spinal column. Bosch heard it rattle loose inside the rib cage.

“Got it!”

She pulled her arms out of the hollow, put down the pick, and sprayed the forceps with the hose attached to the table. She then held the instrument up to examine her find. She tapped the floor button for the recorder with her foot and went on the record.

“A projectile appearing to be a large-caliber bullet was removed from the anterior T-twelve vertebrae. It is in damaged condition with severe flattening. I will mark with my initials and turn over to Detective Hieronymus Bosch with the Open-Unsolved Unit of the Los Angeles Police Department.”

She tapped the recorder button with her foot again and they were off the record. She smiled at him through her plastic screen.

“Sorry, Harry, you know me, a stickler for formalities.”

“I didn’t think you’d even remember.”

He and Corazon had once had a brief romance but that was a long time ago and very few people knew his real full name.

“Of course I would,” she said in mock protest.

There was almost an aura of humility about Teresa Corazon that had not been there in the past. She had been a climber and had eventually gotten what she wanted—the chief medical examiner’s post and all of its trappings, including a reality television show. But when one reaches the top of a public agency, one becomes a politician, and politicians fall out of favor. Teresa eventually fell hard and now she was back where she started, a deputy coroner with a caseload like anyone else in the office. At least they had let her keep her private autopsy suite. For now.

She took the bullet over to the counter, where she marked it with an indelible black pen. Bosch was ready with a small plastic evidence bag and she dropped it in. He then marked the bag with both of their initials, a chain-of-custody routine. He noted the heft of the slug. He believed it had come from a rifle. If so, that would be a significant new piece of information in the case.

“Will you stay for the rest, or was that all you wanted?”

She asked it as if there were something else going on between them. He held up the evidence bag.

“I think I should probably get this going. We’ve got a lot of eyes on this case.”

“Right. Well, then, I’ll just finish up by myself. What happened to your partner anyway? Wasn’t she here with you in the hall?”

“She had to make a call.”

“Oh, I thought maybe she wanted us to have some alone time. Did you tell her about us?”

She smiled and batted her eyes and Bosch looked away awkwardly.

“No, Teresa. You know I don’t talk about stuff like that.”

She nodded.

“You never did. You’re a man who keeps his secrets.”

He looked back at her.

“I try,” he said. “Besides, that was a long time ago.”

“And the flame’s gone out, hasn’t it?”

He pushed things back on subject.

“On the cause. You’re not seeing anything different from what the hospital is reporting, right?”

Corazon shook her head, able to move back as well.

“No, nothing different here. Sepsis. Blood poisoning, to use the more common phrase. Put that in your press release.”

“And you have no trouble linking this back to the shooting? You could testify to that?”

She was nodding before Bosch was finished speaking.

“Mr. Merced died because of blood poisoning, but I am listing cause of death as homicide. This was a ten-year murder, Harry, and I will gladly testify to that. I hope that bullet helps you find the killer.”

Bosch nodded and closed his hand around the plastic bag containing the bullet.

“I hope so too,” he said.

Two

Bosch took the elevator up to the ground floor. In the past few years the county had spent thirty million dollars renovating the coroner’s office but the elevators moved just as slowly as ever. He found Lucia Soto on the back loading dock, leaning against an empty gurney and looking at her phone. She glanced up as Bosch approached and then stood up hurriedly like a kid who’d been caught doing something wrong.

“Got it,” Bosch said.

He held up the evidence bag containing the bullet. Soto took it and studied the bullet through the plastic for a moment. A couple of body movers came up behind her and pulled the empty gurney toward the door of what was known as the Big Crypt. It was a new addition to the complex, a refrigerated space the size of a Mayfair Market where all of the bodies that came in were staged before being scheduled for autopsy.

“It’s big,” Soto said.

Bosch nodded.

“I’m thinking we’re looking for a rifle,” he said.

“It looks like it’s in pretty bad shape,” Soto said. “Mushroomed.”

She handed the bag back and Bosch put it in his coat pocket.

“There’s enough there for a comparison, I think,” he said. “Enough for us to get lucky.”

The men behind Soto opened the door of the Big Crypt to wheel the gurney in. Cold air carrying a disagreeable chemical scent blasted across the loading dock. Soto turned in time to see a glimpse of the giant refrigerated room. Row after row of bodies stacked four high on a stainless-steel scaffolding system. The dead were wrapped in opaque plastic sheeting, their feet exposed, toe tags flapping in the breeze from the refrigeration vents.

Soto quickly turned away, her naturally brown face turning white.

“You okay?” Bosch asked.

“Yes, fine,” she said quickly. “That just grosses me out.”

“It’s actually a big improvement. The bodies used to be lined up in the hallways. Sometimes stacked on top of one another after a busy weekend. It got pretty ripe around here.”

She held a hand up to stop him from further description.

“Please, are we done?”

“We’re done.”

He started moving and Soto followed, falling in a step behind him. She tended to walk behind Bosch, and he didn’t know if it was some sort of deferential thing to his age and rank or something else, like a confidence issue. He headed to the steps at the end of the dock. It was a shortcut to the visitor parking lot.

“Where do we go?” she asked.

“We get the slug over to firearms,” Bosch said. “Speaking of getting lucky—it’s walk-in Wednesday. Then we go pick up the murder book and evidence at Hollenbeck. We take it from there.”

“Okay.”

They went down the steps and started crossing the employee parking lot. The visitor lot was on the side of the building.

“Did you make your call?” Bosch asked.

“What?” Soto asked, confused.

“You said you had to make a call.”

“Oh, yes, I did. Sorry about that.”

“No problem. You get what you need?”

“Yes, thanks.”

Bosch was guessing that there had been no call. He suspected that Soto wanted to skip out on the autopsy because she had never seen a human body hollowed out before. Soto was new not only to the Open-Unsolved Unit but to homicide work as well. This was the third case she had worked with Bosch and the only one with a death fresh enough for an autopsy. Soto probably hadn’t been counting on live autopsies when she signed up to work cold cases.

In recent years the crime rate in Los Angeles had decreased markedly across the board, including and most dramatically in the number of homicides. This had spurred a shift within the LAPD’s investigative philosophy and practice. With fewer active murder cases, the department increased its emphasis on clearing cold cases. With more than five thousand unsolved murders on the books in the past fifty years, there was plenty of work to go around. The Open-Unsolved Unit had nearly tripled in size over the course of the previous year and now had its own command staff, including a captain and two lieutenants. Many seasoned detectives were brought in from Homicide Special and other elite units within the Robbery-Homicide Division. Also a class of young detectives with little if any investigative experience was brought in. The philosophy and edict handed down from the tenth-floor OCP—Office of the Chief of Police—was that it was a new world out there, with new technologies and new ways to look at things. While nothing beats investigative experience, there is nothing wrong with combining it with new viewpoints and different life experiences.

These new detectives—the “Mod Squad,” as they were derisively called by some—got the choice assignment to the Open-Unsolved Unit for a variety of reasons ranging from political connections to particular acumen and skills to rewards for heroism in the line of duty. One of the new detectives had worked in IT for a hospital chain before becoming a cop and was instrumental in solving the murder of a patient through a computerized prescription delivery system. Another had studied chemistry as a Rhodes Scholar. There was even a detective who was formerly an investigator with the Haitian National Police.

Soto was only twenty-eight years old and had been on the force fewer than five years. She made the jump from a one-stripe patrol officer to detective by being a twofer. She was second-generation Mexican-American and spoke both English and Spanish fluently. That fit nicely with the new philosophy of the OCP. But she also punched a more traditional ticket to the detective ranks when she became an overnight media sensation after a deadly shoot-out with armed robbers at a check-cashing store in Pico-Union. She and her partner engaged four gunmen. Her partner was fatally shot but Soto took down two of the robbers and held the second pair pinned in an alley until SWAT arrived and finished the capture. The gunmen were members of 13th Street, one of the most violent gangs operating in the city, and Soto’s heroics were splashed across newspapers, websites, and television screens. She was later awarded the department’s Medal of Valor. Her partner received the award as well, posthumously.

Captain Greg Malins, the new commander of the Open-Unsolved Unit, decided the best way to handle the influx of new blood into the unit was to split up all the existing partnerships and pair every detective who had OU experience with a new detective who had none. Bosch was the oldest man in the unit and had the most years on the job. As such he was paired with the youngest—Soto.

“Harry, you’re the old pro,” Malins had explained. “I want you watching over the rookie.”

While Bosch didn’t particularly care to be reminded of his age and standing, he was nonetheless happy with the assignment. He was entering what would be his last year with the department, as the clock was ticking on his DROP contract. To him, every day he had left on the job was golden. The hours were like diamonds—as valuable as anything on earth. He thought that it might be a good way to finish things, training an inexperienced detective and passing on whatever it was he had to pass on. When Malins told him his new partner would be Lucia Soto, Bosch was pleased. Like everybody else in the department, he had heard of Soto’s exploits in the shoot-out. Bosch knew what it was like to kill someone in the line of duty, as well as to lose a partner. He understood the mixture of grief and guilt that would afflict Soto. He thought that he and Soto could work well together and that he might train her to be a solid investigator.

There was also a nice bonus for Bosch in being teamed with Soto. Because she was a female, he would not have to share a hotel room when on the road on a case. They would get their own rooms. This was a big thing. The travel component to a job on the cold case squad was high. Oftentimes those who think they have gotten away with murder leave town, hoping that by putting physical distance between themselves and their crimes, they are also outdistancing the reach of the police. Now Bosch looked forward to finishing his time in the department without having to share a bathroom or put up with the snoring or other emissions from a partner in a cramped double at a Holiday Inn.

Soto might not have been hesitant when pulling her gun while outnumbered in a barrio alley, but watching a live autopsy was something different. Soto had seemed reluctant that morning when Bosch told her they had caught a live one and had to go to the ME’s office for an autopsy. Soto’s first question was whether it was required that both partners in an investigative team attend the dissection of the body. With most cold cases, the body was long in the ground and the only dissection involved was the analysis of old records and evidence. Open-Unsolved allowed Soto to work the most important cases—murders—without having to view a live autopsy, or for that matter, a homicide scene.

Or so it seemed until that morning, when Bosch got the call at home from Malins.

The captain asked Bosch if he had read the Los Angeles Times that morning and Bosch said he didn’t get the paper. This was in keeping with the long-standing tradition of disdain that existed between the two institutions of law enforcement and the media.

The captain then proceeded to tell him about a story on the front page that morning that was the origin of a new assignment for Bosch and Soto. As Bosch listened, he opened his laptop and went to the newspaper’s website, where the story was similarly receiving a lot of play.

The newspaper was reporting that Orlando Merced had died. Ten years earlier, Merced became famous in Los Angeles as a victim—the unintended target of a shooting at Mariachi Plaza in Boyle Heights. The bullet that struck Merced in the abdomen had traveled across the plaza from the vicinity of Pleasant Avenue and was thought to have been a stray shot from a gang confrontation.

The shooting occurred at 4 p.m. on a Saturday. Merced was thirty-one years old at the time and a member of a mariachi band for which he played the vihuela, the five-string guitarlike instrument that is the mainstay of the traditional Mexican folk sound. He and his three bandmates were among several mariachis waiting in the plaza for jobs—a restaurant gig or a quinceañera party or maybe a last-minute wedding. Merced was a large man, thick in the middle, and the bullet that seemingly came from nowhere splintered the mahogany facing of his instrument and then tore through his gut before lodging in his anterior spine.

Merced would have become just another victim in a city where the media hits and runs—a thirty-second story on the English news channels, a four-paragraph report in the Times, a little more longevity in the Spanish media.

But a simple twist of fate changed that. Merced and his band, Los Reyes Jalisco, had performed three months earlier at the wedding of city councilman Armando Zeyas, and Zeyas was now ramping up a campaign for the mayor’s office.

Merced lived. The bullet damaged his spine and rendered him both a paraplegic and a cause. As the mayoral campaign took shape, Zeyas rolled him out in his wheelchair at all of his political rallies and speeches. He used Merced as the symbol of neglect suffered by the communities of East Los Angeles. Crime was high, and police attention low—they had yet to catch Merced’s shooter. Gang violence was unchecked, basic city services and long-planned projects like the extension of the Metro Gold Line were long delayed. Zeyas promised to be the mayor who would change that, and he used Merced and East L.A. to forge a base and strategy that separated him from a crowded pack of contenders. He made it to the runoff and then easily took the election. All the way, Merced was by his side, sitting in the wheelchair, clad in his charro suit and sometimes even wearing the bloodstained blouse he wore on the day of the shooting.

Zeyas served two terms. East L.A. got new attention from the city and the police. Crime went down. The Gold Line went through—even including an underground stop at Mariachi Plaza—and the mayor basked in the glow of his successes. But the person who shot Orlando Merced was never caught, and over time the bullet took a steady toll on his body. Infections led to numerous hospitalizations and surgeries. First he lost one leg, then the other. Adding insult to injury, the arm that once strummed the instrument that produced the rhythms of Mexican folk music was taken.

And, finally, Orlando Merced had died.

“The ball’s in our court now,” Malins had said to Bosch. “I don’t care what the goddamn newspaper says, we have to decide if this is a homicide. If his death can be attributed medically to that shooting nine years ago, then we make a case and you and Lucky Lucy go back into it.”

“Got it.”

“The autopsy’s gotta say homicide or this whole thing dies with Merced. No matter what the fucking Times says about it.”

“Got it.”

Bosch never turned down a case, because he knew he was running out of cases. But he had to wonder why Malins was giving the Merced investigation to him and Soto. He knew from the start that it was suspected that the bullet that had struck Merced had come from a gang gun. This meant the new investigation would almost wholly center on White Fence and the other prominent East L.A. gangs that traversed Boyle Heights. It was essentially going to be a Spanish-language case, and while Soto was obviously fluent, Bosch had limited skills in the language. He could order off a taco truck and tell a suspect to drop to his knees and put his hands behind his head. But conducting careful interviews and even interrogations in Spanish was not in his skill set. That would fall to Soto, and she, in his estimation, didn’t have the chops for it yet. There were at least two other teams in the unit that had Spanish speakers with more investigative experience. Malins should have gone with one of them.

The fact that Malins had not gone with the obvious and correct choice made Bosch suspicious. On one hand, the directive to put the Bosch-Soto team on the case could have come from the OCP. It would be a media-sensitive investigation, and having Soto, the hero cop, on the case might help mold a positive media response to the investigation. A darker alternative was that perhaps Malins wanted the Bosch-Soto team to fail and very publicly undercut the police chief’s edict to break with tradition and experience when he formed the new Open-Unsolved Unit. The chief’s jumping of several young and inexperienced officers over veteran detectives waiting for slots in RHD squads did not go over well within the rank and file. Maybe Malins was out to embarrass the chief for doing it.

Bosch tried to push speculation about motives aside as they rounded the corner and entered the visitor parking lot. He thought about the plan for the day and realized that they were probably less than a mile from Hollenbeck Station and even closer to Mariachi Plaza. They could take Mission down to 1st and then go under the 101. Ten minutes tops. He decided to reverse the order of stops that he had told Soto they would make.

They were halfway through the lot to the car when Bosch heard Soto’s name called from behind them. He turned to see a woman crossing the employee lot, holding a wireless microphone. Behind her a cameraman struggled to keep his camera up while he negotiated his way between cars.

“Shit,” Bosch said.

Bosch looked around to see if there were others. Someone—maybe Corazon—had tipped the media.

Bosch recognized the woman but he could not remember from which news show or press conference. But he didn’t know her and she didn’t know him. She went right to Soto with the microphone. Soto was the better-known quantity when it came to the media.

“Detective Soto, Katie Ashton, Channel Five, do you remember me?”

“Uh, I think…”

“Has Orlando Merced’s death officially been ruled a homicide?”

“Not yet,” Bosch said quickly, even though he was not on camera.

Both the camera and the reporter turned to him. This was not what he wanted, to be on the news. But he did want to get a few steps ahead of the media on the case.

“The Coroner’s Office is evaluating Mr. Merced’s medical records and will make a decision on that. We hope to know something very soon.”

“Will this restart the investigation of Mr. Merced’s shooting?”

“The case is still open and that’s all I have to say at this time.”

Without further word Ashton turned ninety degrees to her right and brought the microphone under Soto’s chin.

“Detective Soto, you were awarded the department’s Medal of Valor for the Pico-Union shoot-out. Are you now gunning for whoever shot Orlando Merced?”

Soto seemed momentarily nonplussed, then replied.

“I am not gunning for anyone.”

Bosch pushed past the videographer, who had swung around to film over Ashton’s left shoulder. He got to Soto and turned her toward their car.

“That’s it,” he said. “No further comment. Call media relations if you want anything else.”

They left the reporter and videographer there and walked quickly to the car. Bosch got into the driver’s seat.

“Good answer,” he said as he turned the ignition.

“What do you mean?” Soto responded.

“Your answer to her about gunning for the Merced shooter.”

“Oh.”

They drove out onto Mission and headed south. When they were a few blocks clear of the coroner’s office, Bosch pulled to the curb and stopped. He held out his hand to Soto.

“Let me see your phone for a second,” he said.

“What do you mean?” Soto asked.

“Let me see your phone. You said you had to make a call when I went into the autopsy. I want to see if you called that reporter. I can’t have a partner who’s addicted to or feeding the media.”

“No, Harry, I didn’t call her.”

“Good, then let me see your phone.”

Soto indignantly handed him her cell phone. It was an iPhone, same as Harry had. He opened up the call record. Soto had not made a call since the previous evening. And the last call she had received had been from Bosch that morning, telling her about the case they had just caught.

“Did you text her?”

He opened the text app and saw the most recent text was to someone named Maria. It was in Spanish. He held the phone up to his partner.

“Who’s this? What’s it say?”

“It’s to my friend. Look, I didn’t want to go in that room, okay?”

Bosch looked at her.

“What room? What are you—”

“The autopsy. I didn’t want to have to watch that.”

“So you lied to me?”

“I’m sorry, Harry. It’s embarrassing. I don’t think I can take that.”

Bosch handed the phone back.

“Just don’t lie to me, Lucia.”

He checked the side mirror and pulled away from the curb. They were silent until they got down to 1st Street and Bosch moved into the left-turn lane. Soto realized they were not heading to the regional crime lab with the bullet.

“Where are we going?”

“We’re in the neighborhood. I thought we’d check out Mariachi Plaza for a few minutes, then go to Hollenbeck for the murder book.”

“I see. What about firearms?”

“We’ll do it after. Is this related to the shoot-out—your not wanting to go to the autopsy?”

“No. I mean, I don’t know. I just didn’t want to see that, that’s all.”

Bosch let it go for the time being. Two minutes later they were approaching Mariachi Plaza and Bosch saw two TV trucks parked at the curb with their transmitters cranked up for live reports.

“They’re really jumping all over this,” he said. “We’ll come back later.”

He drove on by. A half mile later they came to the Hollenbeck Station. Brand-new and modern, with angled glass panels creating a facade that reflected the sun in multiple angles, it looked more like some sort of corporate office than a police station. Bosch pulled into the visitor lot and killed the engine.

“This is going to be pleasant,” he said.

“What do you mean?” Soto asked.

“You’ll see.”

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