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Frank Morgan
1933-2007
Frank Morgan, alto saxophonist and Bird protégé, passed away peacefully in his sleep the morning of December 14 in his home town of
Minneapolis. The cause was colon cancer, recently diagnosed following a month long tour of Europe.
A master of bebop and ballads, Frank's hauntingly beautiful song, "Lullaby," became the theme song for
Harry Bosch, Michael Connelly's main series character. Michael has described it as "seemingly sad but uplifting and hopeful at the same time." It was the first song included on a limited edition jazz CD that Michael
produced, called Dark Sacred Night.
Michael recently had the privilege of lecturing with Frank at the Berklee College of Music in Boston, MA. Their topic—jazz and writing. Frank also composed and
performed original music for the audiobook edition of Michael's novel, The Overlook, and he laid down original tracks for The Overlook video. To hear this music, some of the last recordings that Frank made, watch the video.
Frank Morgan Biography Courtesy of High Note Records
It is a real rarity for a jazz musician to have his career
interrupted for three decades and then be able to make a complete comeback. Frank Morgan showed a great deal of promise in his early days, but it was a long time before he could fulfill his potential. The son of
guitarist Stanley Morgan (who played with the Ink Spots), he took up clarinet and alto early on. Morgan moved to Los Angeles in 1947 and was approached by Duke Ellington who wanted the then 15-year-old Frank to go
on the road with his band. Frank's father wanted his son to finish school so the Ellington gig never materialized, but by the time he was 17, Frank was working at LA's Club Alabam, backing the likes of Josephine
Baker and Billie Holiday. Morgan worked on the bop scene of early-'50s Los Angeles, recording with Teddy Charles (1953) and Kenny Clarke (1954), and under his own name for GNP in 1955.
Unfortunately, around
that same time Frank followed his idol and mentor Charlie "Bird" Parker into heroin addiction, and spent most of the next thirty years serving time for thefts to support his habit. Yet except for periods
in the Los Angeles County jail system, he never strayed too far from music. At most penal institutions, there were bands made up of inmates, and Morgan was greeted as a celebrity. He was constantly made gifts of
mouthpieces, drugs, food, cigarettes. "The greatest big band I ever played with was in San Quentin. Art Pepper and I were proud of that band. We had Jimmy Bunn and Frank Butler, and some other musicians who
were known and some who weren't, but they could play. We played every Saturday night for what they called a Warden's Tour, which showed paying visitors only the cleanest cell blocks and exercise yards. But people
would take that tour just to hear the band."
When he was not incarcerated Frank performed occasionally around LA, but it was not until 1985 that Morgan, with the help of artist and future wife Rosalinda
Kolb, managed to leave his life of "questionable interests" behind him and once again concentrate on his music. Resuming his recording career after a thirty-year hiatus, Frank was rediscovered and his
unique history, combined with his equally unique sound and story-telling ability on his horn, made him a media star. He made multiple appearances on the Today Show in the '80s and '90s; starred in "Prison-Made
Tuxedos," an off-Broadway play about his life, in 1987; was the first subject of Jane Pauley's "Real Life" primetime TV show on NBC in 1990; and won the Downbeat Critics Poll for Best Alto Saxophonist
in 1991.
In 1998 a new chapter was added to Frank's inspiring life story when he suffered a stroke while enroute to the Flint Jazz Festival in Michigan. Although doctors initially predicted he would never
play again, Frank was gigging within six months. After a series of critically-acclaimed pre-stroke recordings for Contemporary, Antilles, and Telarc, in 2003 Frank signed a new recording agreement with New
York-based HighNote Records, and today many fans and Jazz writers alike say he has never sounded better.
Frank Morgan's initial recordings for his new label, "City Nights" (HighNote HCD 7129) and
"Raising the Standard" (HighNote HCD 7143), have received great reviews and significant airplay both here and abroad. Both albums were recorded live at New York's Jazz Standard on a series of triumphant
evenings which heralded the reappearance of a vibrant and important voice in Jazz.
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